Mugshot All The Devils Are Here: A Hardcore Molotov Cocktail If you’re searching for hardcore that bites back, look no further, Mugshot All The Devils Are Here is your new soundtrack for chaos. This isn’t just another record; it’s a battering ram of riffs, breakdowns, and raw-throated defiance, courtesy of the Sacramento wrecking crew. Released on Pure Noise Records, All The Devils Are Here is a manifesto for the disenchanted, the pissed-off, and everyone who refuses to bow down to the world’s bullshit. From the first note, Mugshot All The Devils Are Here grabs you by the throat and refuses to let go. This is music forged in the fires of frustration, channeled through the band’s signature blend of metallic hardcore and punk aggression. The album is a middle finger to apathy, a call to arms for anyone who’s ever felt out of place or underestimated. Mugshot doesn’t just play hardcore, they live it, breathe it, and bleed it for every second of this record. The Sound of Rebellion: Bre...
Trash N Privilege: Fresno Punks Drop "Blood in The Water" – It's More Than Just a Song, It's a F**king Statement!
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Trash N Privilege: More Than Just a Statement!
Wake the hell up, sheeple! Fresno's own Trash N Privilege just smacked us all upside the head with a Molotov cocktail of truth. Their new single, "Blood in The Water," isn't just a rippin' punk tune; it's a goddamn indictment of the vultures feeding off our tragedies. And the lyric video? A frantic, turbulent visual assault that perfectly matches the song's breakneck pace. You can check the original article on V13.net.
Straight outta California's festering underbelly, Trash N Privilege are serving up a taste of vintage punk that's sorely needed in these sanitized times. This ain't your watered-down, major-label-approved "punk." This is the real deal – raw, unapologetic, and ready to kick you in the teeth with a message. "Blood in The Water," taken from their aptly titled album "Commence With the Bum Out" (released last June via Manic Kat Records), takes aim at the leeches who exploit tragedy for their own twisted agendas.
As singer and guitarist Steve Shepard so eloquently puts it, the song is about "how one person’s tragedy is used to further another’s political agenda." It's not just about pointing fingers at one party or another; it's about calling out the uncaring bastards on all sides who see human suffering as just another opportunity. This is punk rock with a purpose, a middle finger raised high against the cynical machine.
But don't think Trash N Privilege are all doom and gloom. This is still a band that knows how to deliver a blistering, melodic punch to the gut. "Commence With the Bum Out" is a fast-paced explosion of fiery punk rock that tackles everything from the toxicity of the 24-hour news cycle to the soul-crushing grip of big tech. It's accessible, it's angry, and it's a reminder of a time when punk was about passion, free expression, and a whole lot of attitude.
If you need a reminder that punk rock still has teeth, then crank up "Blood in The Water" and let Trash N Privilege rattle your goddamn cage. And if you're lucky enough to be near one of their upcoming tour dates, do yourself a favor and go witness this band in all their raw, unadulterated glory. This isn't just music; it's a goddamn wake-up call.
Devil Ultrasonic Dream album on vinyl - Click on photo Teen Mortgage : Devil Ultrasonic Dream – Punk Fury Meets Garage Chaos The Teen Mortgage's Devil Ultrasonic Dream isn’t just an album it’s a full-throttle assault on everything stale in modern music. Teen Mortgage, the Washington, D.C.-based duo, has unleashed a raw, unapologetic masterpiece that blends garage punk grit with rebellious fury. This is the sound of two musicians refusing to play by the rules and setting fire to the establishment. With fuzz-drenched riffs, pounding drums, and vocals that spit venom, "Devil Ultrasonic Dream" is a sonic riot. It’s an album that doesn’t ask for permission it kicks down the door and demands your attention. Teen Mortgage isn’t here to make you feel comfortable; they’re here to make you feel alive. The Soundtrack to Rebellion "Devil Ultrasonic Dream" captures the essence of rebellion in every track. Recorded with an unpolished edge that amplifies its raw energy,...
Apple of Basilisk EP: Where Mythology Meets Metal Mayhem The Apple of Basilisk EP : "His Crowned Skull Raised to the Sun" isn’t just an album it’s a declaration of war on mediocrity. Apple of Basilisk, the Philadelphia-based blackened death metal powerhouse, has unleashed a beast that roars with unrelenting fury. This EP is a sonic journey into chaos, rebellion, and mythological madness, proving once again that Apple of Basilisk is here to crush boundaries and redefine metal. Inspired by the Greek myth of Eris and her golden apple that sowed discord among gods, this EP channels that same anarchic energy into music. With riffs sharper than a guillotine and vocals that sound like they’ve been summoned from the abyss, "His Crowned Skull Raised to the Sun =" is pure, unfiltered rebellion wrapped in layers of technical brilliance. The Story Behind the Apple of Basilisk EP Apple of Basilisk’s latest release is steeped in mythology and chaos. The "His Crowned...
Randy Rampage Death: When the Stage Lights Dimmed Forever The metal world got sucker-punched when news broke of Randy Rampage death in August 2018. This wasn't just another rockstar casualty - this was the extinguishing of a human powder keg who helped forge thrash metal's rebellious DNA. At 58, the Annihilator/D.O.A. frontman left behind a legacy of chaos and riffs that still rattle club walls from Vancouver to Vladivostok. Rampage didn't just sing about anarchy - he lived it. His final act? Going out like a true punk enigma. No press releases, no farewell tour, just a middle finger to mortality itself. The official cause remains unconfirmed, but true to form, he took his secrets to the grave - the ultimate rebel exit. From Van Slam to Metal Annihilation Before he was tearing up stages with Annihilator, Randy was the wildcard in Vancouver's hardcore scene. His work with D.O.A. in the late 70s/early 80s wasn't music - it was audio terrorism. Tracks like ...
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