Skip to main content

Trash N Privilege: Fresno Punks Drop "Blood in The Water" – It's More Than Just a Song, It's a F**king Statement!

Trash N Privilege: More Than Just a Statement!

Wake the hell up, sheeple! Fresno's own Trash N Privilege just smacked us all upside the head with a Molotov cocktail of truth. Their new single, "Blood in The Water," isn't just a rippin' punk tune; it's a goddamn indictment of the vultures feeding off our tragedies. And the lyric video? A frantic, turbulent visual assault that perfectly matches the song's breakneck pace. You can check the original article on V13.net.

Straight outta California's festering underbelly, Trash N Privilege are serving up a taste of vintage punk that's sorely needed in these sanitized times. This ain't your watered-down, major-label-approved "punk." This is the real deal – raw, unapologetic, and ready to kick you in the teeth with a message. "Blood in The Water," taken from their aptly titled album "Commence With the Bum Out" (released last June via Manic Kat Records), takes aim at the leeches who exploit tragedy for their own twisted agendas.

As singer and guitarist Steve Shepard so eloquently puts it, the song is about "how one person’s tragedy is used to further another’s political agenda." It's not just about pointing fingers at one party or another; it's about calling out the uncaring bastards on all sides who see human suffering as just another opportunity. This is punk rock with a purpose, a middle finger raised high against the cynical machine.

But don't think Trash N Privilege are all doom and gloom. This is still a band that knows how to deliver a blistering, melodic punch to the gut. "Commence With the Bum Out" is a fast-paced explosion of fiery punk rock that tackles everything from the toxicity of the 24-hour news cycle to the soul-crushing grip of big tech. It's accessible, it's angry, and it's a reminder of a time when punk was about passion, free expression, and a whole lot of attitude.

If you need a reminder that punk rock still has teeth, then crank up "Blood in The Water" and let Trash N Privilege rattle your goddamn cage. And if you're lucky enough to be near one of their upcoming tour dates, do yourself a favor and go witness this band in all their raw, unadulterated glory. This isn't just music; it's a goddamn wake-up call.

Tour Dates:

  • 03/15 – Humdinger Brewing, San Luis Obispo, CA
  • 03/20 – Next Bar, Fresno, CA
  • 03/30 – Til-Two Club, San Diego CA
  • 04/12 – Barrel House Brewing, Fresno, CA
  • 05/31 – Solaris Beer & Blending, Murrieta, CA
  • 06/07 – To Be Announced, Fresno, CA
  • 08/02 – Solar Van Pop-Up, Emeryville, CA

Metal Punk HC logo
Previous Article Next Article

Comments

Popular posts from this blog

Die Spitz Something To Consume : album review - chaos, fury and raw beauty

Dive into Die Spitz Something To Consume Listening to Die Spitz Something To Consume is like being thrown headfirst into a storm, roaring riffs, razor-sharp guitars, pounding drums, and voices that scream and whisper in equal measure. This debut full-length (👈 available) from the Austin quartet isn’t just an album, it’s a battle cry against mediocrity, a dare to feel something raw and untamed. Produced by Will Yip, a heavyweight when it comes to raw, uncompromising sound, Something To Consume dropped September 12, 2025 on Third Man Records. It’s 11 tracks of restless energy, balancing fragility and ferocity in a way that feels dangerous, unpredictable, and alive. The record kicks off with Pop Punk Anthem (Sorry for the Delay) , a playful nod to skate-punk nostalgia before erupting into chaos. Then comes Throw Yourself To The Sword , a feral explosion of guitars and primal screams that hit you like a sucker punch. Every track feels like a differ...

Death Whore album Blood Washes Everything Away - Pure Crust Carnage Unleashed

Death Whore album Blood Washes Everything Away: Punk Hellfire Meets Death Metal Mayhem The Death Whore album “Blood Washes Everything Away” spits, snarls, and batters every sense like a sledgehammer in a meat locker. Standing on the faultline between crust punk, old-school death metal, and grindcore, Death Whore crash onto the 2025 scene with one brutal mission: leave no eardrum untouched, no poser unscathed. Born from the sullied backrooms of Nancy, France, their debut LP blends guttural growls, unrelenting speed, and slabs of sonic concrete to crush modern apathy under a wall of razor-sharp riffs. If this record doesn’t get blood on the pit floor, you’re not listening loud enough. Mastered by James Plotkin (Khanate) and clad in Ethan Lee McCarthy’s (Primitive Man) nightmarish artwork, the Death Whore album is a 35-minute riot. Tracks like “Motorthroat ’79” – the anthemic single and video shot in the sweat-soaked Nirvana Pub Club – lurch and rip, fusing Motörhead swagger with a hi...

Paradise Lost Ascension: Legends of Doom Metal Rise Again

Paradise Lost Ascension: Cathedral Hymns for the Defiant Paradise Lost Ascension isn't just a new album, it's a funeral procession set to riotous doom and gothic grandeur. 2025 marks nearly 40 years of Paradise Lost, and their seventeenth full-length, " Ascension " (👈 available) detonates any notions of retirement with riffs heavier than guilt and melodies sharper than regret. Released on Nuclear Blast, this record fuses the band's funeral march vibes with flashes of punk venom and stoner defiance. It's the album you spin when you want to burn churches, not with flames, but with thunder. From the opening gates of "Serpent on the Cross," Holmes unleashes guttural roars that feel like your last confession, while Mackintosh's guitar leads tear through the gloom with all the grandeur of a blackened cathedral collapsing. "Tyrants Serenade" tiptoes between Type O Negative’s gothic creep and crust-drenched melancholy, while "Salvati...