Skip to main content

Babymetal Metal Forth: Icons of Revolution Return with a Genre-Busting Onslaught

Babymetal Metal Forth: The Next Level of Metal Insurgency

SU-METAL @ BABYMETAL東京ドーム公演『黒い夜』

Babymetal Metal Forth isn’t just another album drop, it’s a war cry slicing through the barricades of stale metal and pop conformity. Celebrating their feral 15th anniversary, Babymetal tears out the fangs of the old guard and bares their own with Metal Forth, a record that detonates genre boundaries with a napalm blaze of hyper-charged collaboration.

No more idol innocence, this is Babymetal with claws out and amps set to “decapitate.” Picture Electric Callboy, Tom Morello, Spiritbox, and Poppy dragged into Babymetal’s otherworld and forced to battle for sonic supremacy. It’s a wild alliance of chaos and candy, unleashing hyper-melodic death drops one moment and metallic breakdowns the next, the kind of fusion that’s too volatile for the mainstream, too infectious for the underground to ignore.

Bursting Genres: Inside Metal Forth’s Sonic Riot

Babymetal Metal Forth is a technicolor maelstrom. “from me to u” (featuring Poppy) launches with sugar-rush choruses, while “RATATATA” (with Electric Callboy) is a cyberpunk moshpit anthem and “Song 3” dares to pit the band’s kawaii thunder against the beastly growl of Slaughter to Prevail. The Bloodywood collab “Kon! Kon!” drops in world music threats, and then Tom Morello himself brings revolution-ready solos on “METALI!!”. Forget formula, these tracks explode expectations with each verse.

But don’t be fooled. The best punches come from Babymetal’s own claws (“KxAxWxAxIxI,” “Algorism,” “White Flame ー白炎ー”), fusing hip-hop swag, sci-fi synths, and thunderous, spine-snapping grooves. It’s the new heart of their arsenal and it proves, once and for all, that Babymetal don’t just break rules, they rewrite them in neon ink and pure adrenalin[1][5].

Metal Forth Tracklist: Every Devil at the Party

  • from me to u (feat. Poppy)
  • RATATATA (BABYMETAL × Electric Callboy)
  • Song 3 (BABYMETAL × Slaughter to Prevail)
  • Kon! Kon! (feat. Bloodywood)
  • KxAxWxAxIxI
  • Sunset Kiss (feat. Polyphia)
  • My Queen (feat. Spiritbox)
  • Algorism
  • METALI!! (feat. Tom Morello)
  • White Flame ー白炎ー

Is It Punk? Is It Metal? No, It’s Babymetal Metal Forth

Metal Forth isn’t for the purists; it’s a fever-dream for misfits. Some critics will whine about cohesion, who cares? This record is meant to detonate boundaries, not color inside them. Babymetal Metal Forth proves the group aren’t just “wacky Japanese idols turned viral”, they’re supreme architects of their own revolution. Drop all pretense, this album is for anyone ready to smash the old playbook and headbang until dawn. https://babymetal.com

Babymetal in concert

Babymetal Metal Forth: Not an Album, a Manifesto

If you’re hunting tame, recycled riffs, run the other way. Babymetal Metal Forth is the ultimate fuse: collab chaos, wild visuals, and a fearless push into the unknown. With every track, Babymetal Metal Forth makes it clear, the future belongs to the rebels. So crank it up, rip the knob off, and surrender to the revolution. Metal Forth isn’t just a record; it’s the battle cry for a new era of metal, and you’re invited to the riot.


Metal Punk HC logo

Previous Article Next Article

Comments

Post a Comment

Popular posts from this blog

Die Spitz Something To Consume : album review - chaos, fury and raw beauty

Dive into Die Spitz Something To Consume Listening to Die Spitz Something To Consume is like being thrown headfirst into a storm, roaring riffs, razor-sharp guitars, pounding drums, and voices that scream and whisper in equal measure. This debut full-length (👈 available) from the Austin quartet isn’t just an album, it’s a battle cry against mediocrity, a dare to feel something raw and untamed. Produced by Will Yip, a heavyweight when it comes to raw, uncompromising sound, Something To Consume dropped September 12, 2025 on Third Man Records. It’s 11 tracks of restless energy, balancing fragility and ferocity in a way that feels dangerous, unpredictable, and alive. The record kicks off with Pop Punk Anthem (Sorry for the Delay) , a playful nod to skate-punk nostalgia before erupting into chaos. Then comes Throw Yourself To The Sword , a feral explosion of guitars and primal screams that hit you like a sucker punch. Every track feels like a differ...

Death Whore album Blood Washes Everything Away - Pure Crust Carnage Unleashed

Death Whore album Blood Washes Everything Away: Punk Hellfire Meets Death Metal Mayhem The Death Whore album “Blood Washes Everything Away” spits, snarls, and batters every sense like a sledgehammer in a meat locker. Standing on the faultline between crust punk, old-school death metal, and grindcore, Death Whore crash onto the 2025 scene with one brutal mission: leave no eardrum untouched, no poser unscathed. Born from the sullied backrooms of Nancy, France, their debut LP blends guttural growls, unrelenting speed, and slabs of sonic concrete to crush modern apathy under a wall of razor-sharp riffs. If this record doesn’t get blood on the pit floor, you’re not listening loud enough. Mastered by James Plotkin (Khanate) and clad in Ethan Lee McCarthy’s (Primitive Man) nightmarish artwork, the Death Whore album is a 35-minute riot. Tracks like “Motorthroat ’79” – the anthemic single and video shot in the sweat-soaked Nirvana Pub Club – lurch and rip, fusing Motörhead swagger with a hi...

Paradise Lost Ascension: Legends of Doom Metal Rise Again

Paradise Lost Ascension: Cathedral Hymns for the Defiant Paradise Lost Ascension isn't just a new album, it's a funeral procession set to riotous doom and gothic grandeur. 2025 marks nearly 40 years of Paradise Lost, and their seventeenth full-length, " Ascension " (👈 available) detonates any notions of retirement with riffs heavier than guilt and melodies sharper than regret. Released on Nuclear Blast, this record fuses the band's funeral march vibes with flashes of punk venom and stoner defiance. It's the album you spin when you want to burn churches, not with flames, but with thunder. From the opening gates of "Serpent on the Cross," Holmes unleashes guttural roars that feel like your last confession, while Mackintosh's guitar leads tear through the gloom with all the grandeur of a blackened cathedral collapsing. "Tyrants Serenade" tiptoes between Type O Negative’s gothic creep and crust-drenched melancholy, while "Salvati...