Die Spitz Something To Consume: an album that spits fire and bleeds truth
Dive into Die Spitz Something To Consume
Listening to Die Spitz Something To Consume is like being thrown headfirst into a storm, roaring riffs, razor-sharp guitars, pounding drums, and voices that scream and whisper in equal measure. This debut full-length (👈 available) from the Austin quartet isn’t just an album, it’s a battle cry against mediocrity, a dare to feel something raw and untamed.
Produced by Will Yip, a heavyweight when it comes to raw, uncompromising sound, Something To Consume dropped September 12, 2025 on Third Man Records. It’s 11 tracks of restless energy, balancing fragility and ferocity in a way that feels dangerous, unpredictable, and alive.
The record kicks off with Pop Punk Anthem (Sorry for the Delay), a playful nod to skate-punk nostalgia before erupting into chaos. Then comes Throw Yourself To The Sword, a feral explosion of guitars and primal screams that hit you like a sucker punch. Every track feels like a different weapon in the band’s arsenal, designed not for perfection, but for impact.
Tracks like Sound To No One crawl with haunted atmospheres, distorted guitars dripping in feedback, vocals floating like ghosts before collapsing into noise. Then the band slams back into furious gear with Red40 and Riding With My Girls, tracks that roar, sweat, and burn like gasoline on fire. This isn’t background music, it’s confrontation, an invitation to feel the edge of the blade.
What makes Die Spitz Something To Consume stand out is the tension: rage and tenderness constantly colliding, creating sparks of real danger. Influences echo everywhere, grunge, punk, metal, hardcore, even shoegaze, but nothing here feels recycled. It’s not a collage, it’s alchemy, a new monster stitched together with barbed wire and adrenaline.
Vocals switch and clash between members: sometimes a scream, sometimes a whisper, sometimes layered chants that sound like a riot breaking loose. It feels dirty, imperfect, and alive, exactly how rock should sound. No filler, no pretension, just 34 minutes of urgency and release.
Why this record matters
Because it doesn’t play safe. Because it’s not afraid of being ugly, vulnerable, furious, or beautiful. Because Die Spitz Something To Consume is the rare album that doesn’t just entertain, it exposes. It throws frustration, desire, and raw honesty into your face and dares you to keep listening.
If you’ve ever worshipped at the altar of Nirvana, Babes in Toyland, PJ Harvey, Black Sabbath, or any band that balances volume with emotion, this album belongs in your veins. And if you haven’t, this record might just rip you out of your comfort zone and convert you.
Bottom line: Die Spitz Something To Consume is not background noise, it’s a declaration. A record that shatters silence, digs under your skin, and demands to be felt. Whether you’re moshing in a grimy basement, screaming in your car at 3AM, or just lying awake with headphones pressed tight, this album 👈 will shake you and remind you what music is for. Chaos, catharsis, survival.
Die Spitz in concert
Want more ?
Check out the full reviews at Northern Transmissions, New Noise Magazine, or dive into the Wikipedia page.
One thing’s for sure: Die Spitz Something To Consume isn’t here to make you comfortable. It’s here to set you on fire, tear you apart, and stitch you back together with noise and honesty. And damn, that’s exactly what we need.
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